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Problems with Pivoted Tonearms

The fundamental limitations of the pivoted tonearm will explain the reason for the tangential tonearm's existence.

Tracking error

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The ideal tonearm would allow the cartridge to maintain the same angular relationship with the record groove as the record-cutting stylus had with that groove. LP cutting lathes are all linear-tracking; the cutting head moves in a straight line across the lacquer master. But in a pivoted tonearm, the cartridge end swings in an arc over the record, causing the playback stylus to turn slightly in relation to the groove. The stylus/groove relationship is constantly changing with a pivoted tonearm. The result is tracking error (diagram 17), defined as a difference in the stylus/groove relationship between the cutting stylus and the playback stylus. This disparity in the paths followed by the cutting stylus and replay stylus leads to distortion.
In order to reduce horizontal tracking error, tonearms have an overhang and an offset angle (diagram 18). The distance from stylus to arm pivot is greater than that from record center to arm pivot (by a distance called the overhang). Note that adding an offset to the tonearm doesn't eliminate tracking error.
 
Airtangent 2002
System Hierarchy
The Groove
The Cartridge
Problems with Linear Tonearms
Absolute Analogue
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